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Barren Earth by Morgan Cooper & Mike Shelton (mbcgirl & shelton) writing as: Captain & Tennille - Short, Sci Fi - With the world on the brink of extinction, water is at a premium, and Earth's only greenery comes from the eerie glow of the night sky. As water rations diminish, tempers flare and turn one small town upside down. How they'll survive...God only knows. 15 pages - pdf, format
I think this one was pretty good, well written and it had a nice twist at the end. In a way it kinda reminded me of the Truman show , at least in a darker way. It does seem kind of implossible that the government or whoever would beable to control the weather and such unless it is like the truman show Where they are in this huge dome, still it was entertaining. I thought it fit the challenge, you stuck with the theme and genre.
i thought this was the best of the scripts. it gave a good twist to the theme. the writing was well done and the characters depicted sufficiently. re the control of the weather, i think tho organisation merely linited their water not affected the weather. it wouldn't rain that much in the desert anyway, i presume. but overall, good job.
I thought this was an interesting take on the theme. I have to be honest in that I was expecting a lot of space age start wars type stuff give the genre, and I haven't seen it that much, in this or any of the other scripts.
This seemed to have a post apoc type feel to it, with the mention of nuclear war and the green sky, and then ultimately the reveal that it's the 22nd century.
Like the others, I liked the ending, and I can see where the weather aspect is coming from, but like Stevie, I pictured it as more of a drought ridden desert type setting where rain wouldn't be all that common. I think in that aspect it works.
I liked this one too...so much fun reading all of these
I think this one hit the genre and requirements and was nicely written.
Cool twist at the end...
In reference to some of the other posts...I think this place wasn't always a desert...but due to the control of the weather and water shortage it became barren....so it made sense to me....but then I'm a goof.
I love words and the fact that when the page is blank...there's nothing there until words are formulated in my brain. Those thoughts...rushing through my viens and out my finger tips, find "life" on the page.††
When people and places come to life...that to me is exciting.
MBCgirl =) My finger nails should look nice while I type - Red works!
This one has potential. The premise is mostly good, but this:
Itís a long story, and Iíll fill you in on the details, but in short, your community was chosen for a specific experiment on basic human survival in the twenty second century. We cut off all your ties to the outside world, limited your water supply, and essentially caused you to revert back to the late nineteenth century.
Feels like a close cousin to the "It was all a dream" idea.
I think you can still work with the idea, but show this experiment being initiated by the government early on. If you provide this in your set up, I think you'll do a lot to improve the quality and believability here.
As far as the Silo is concerned, I was confused by this. What I was thinking you might like to do is create a bit of a different world identity and make this Silo be something that a technologically backwards culture worships. It seems to provide water in spurts and spasms inconsistently. If they don't know why or how and they rely on it, I guess it's possible for them to believe it has a divine nature.
I saw the biblical connections flying at me and I was waiting for it to be revealed why. I think you could do more with this aspect. Perhaps a little underdeveloped, but again the nature of the short is to be underdeveloped. With that said though, I think you put too much weight on the early images with the Silo and not enough on the character work which to me would be better.
When they went and did the digging, I felt there was a lag there and it seemed like it just took up space until we find out the end: That it was all an experiment.
The first thing I noticed when reading this was the first sentence. It glared at me because I thought:
It's too abstract. It should follow on the heels of something more concrete to be a stronger first sentence.
You might want to work with trying to be less wordy unless it's really important to the story.
A small house, the main room is both the kitchen and living room, with a wooden dining table at its center and a fireplace built into the wall. A small bedroom is at the back with a bed and dresser in the corner.
Is really detailed unnecessarily.
The sun has been up for a few hours and blazes in the distance.
Hmmm, interesting..very interesting. Not quite sure what to say here.
This was probably the cleanest, best written script of the bunch. First, drunk, quick read, I didn't see any actual mistakes. Bravo for that!
Story-wise, it was good, and engaging. I think it was painfully slow, and way to full of dialogue that would never take place in the setting described...but...it still worked somehow.
The twist was way too easily told, and there's no way 1 guy comes in to tell the town what what was done, but still...I think it worked. The twist ending reminded me of "The Village" and that's not a good thing, but overall...I guess I like it...and probably liked it the best!
Good job...especially for a very clean, well written and concieved script.
To ski or not to ski...that's not even a question.
I think Jeff hit the nail on the head with 'The Village', it reminded me very much of that. A really nicely written script and a great idea too. Was it Sci-Fi? That I am not too sure about, If it is it certainly on the border of Sci-Fi and Mystery.
The idea was sold however, I think it is highly likely that when the nukes start flying around and destroy much of the earth that people will turn to religion for help, I know this was only a short but It would have liked to have seen more conflict with the non believers. I loved the visuals with regard to the huge silo and everyone fighting over it, it would work very well onscreen. In fact this is the first OWC that I can actually see being a short film, Not sure if you have any desire to work on it anymore but if you can make the ending stand up stronger then it could be a decent one.
The only problem is the ending, the way things are at the moment it is too much of a stretch to believe that the Government were able to cut of an entire village like that and make them think there was a war. We are talking Internet, phones, TV, radios, CB's, mobiles etc... All out? Nobody drives to surrounding towns for business or shopping? I think it would need some work to make it easier to swallow.
However, apart from the very end this was a great script and cracking read. Well done folks.
The first line of action is strange. It just doesn't really make sense to start a screenplay like that. Just say what's on screen.
Rebecca and Abel are interesting characters. I like them.
I enjoyed this. I liked the premise and thought it was really well paced.
My main problem is with the ending. It was a major let down to have it end like that. I was hoping that the rest of the town, when they get back from finding the water, had went mental somehow. Maybe, there's a massive riot and everyone's killing each other. They can't stop them and tell them that they've got water...so it' kind of a sad ending. Anything apart from what you went for would be an improvement though, at least in my opinion.
Really well done, but please change the ending. Maybe this could work as a feature?
This was pretty good, had a sort of Lost'ish feel to it, in fact, pretty much all the characters reminded me of characters from Lost - and I'm totally okay with that, I love Lost.
The script itself was a tight and fast read. The theme was definitely there but one could argue that the genre was a little off - I liked it though. The ending did feel a little rushed - like you were running out of time - and I just don't buy that they share a laugh in the end. I would have been tearing Adam's throat out.
Down in the hole / Jesus tries to crack a smile / Beneath another shovel load
I kind of enjoyed how this one went. It unfolded easily enough, and latched into some typical post-apocalyptic fare. What threw me in the beginning, though, was how a quarter inch of water could yield enough for "jugs." Maybe I didn't get it right. I thought the leap onto the silo to get more water out was logical, but the "security system" was perhaps too effective. It did give them a ray of hope before it all ended though, and that brings me to my take on the ending.
I am in the "it was all a dream" faction to where everything was instantly invalidated by the ending. We had that hope that maybe everything would be ok, and then we find out that everything was ok to begin with, and they just didn't know it. Hm.
Wow, how very Ahmish this script was. Or Biblical? Both?
I liked how the community acted given the situation. I tend to believe that people get a me-first mentality when faced with tough times rather than "let's work together!" so kudos on that. And it seems that someone always goes crazy (Jesse) and I liked that his actions caused the twist at the end, which I did not see coming.
Speaking of the ending, though, I was sort of disappointed. I like the idea but I think it was very "Oopsy! We made a mistakey!" for me. The whole script had an eerie feeling and then ha ha, just a misunderstanding.
I also question why Adam would need to speak to the man in charge. Was that just to build tension? If he had good news for everyone why would he wait until Bastion returned?
I'll disagree on a slow read. I thought it was fast. I've never gotten through 15 pages as fast I did reading this. It's interesting, good writing, and funny in a weird way-- surprise death on page 6 and Bastion's reaction. Reminds me of something you'd see on South Park. The ending is cute. I can understand any dislike for it, but I thought it was nice.