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Near Dark, written by Kathryn Bigelow and Eric Red, both Pros before this was written, came out in 1987 - 28 years ago.
The script is 122 pages long and there isn't a single blank line in the action/description passages. The movie, including credits, is 94 minutes. If lines were skipped, as they "should be", this script is close to 200 pages.
To say it's overwritten is like saying Jurassic World's BO performance is pretty good - IT'S EXTREMELY OVERWRITTEN. It's also extremely dense.
It's a very poor example of how to write a screenplay.
As for Alien, I think enough has been said over the years, but let's understand, it was written close to 40 years ago, and again, written by a Pro.
These are not examples of Spec scripts, nor are they examples of recent scripts.
I don't know about Near Dark but Alien was a spec script, even the Hill-Giler draft was a spec script - they had not secured any deal with Fox when they wrote it. And for what it's worth, Walter Hill has always written like this, even before he turned "pro".
Down in the hole / Jesus tries to crack a smile / Beneath another shovel load
I don't know about Near Dark but Alien was a spec script, even the Hill-Giler draft was a spec script - they had not secured any deal with Fox when they wrote it. And for what it's worth, Walter Hill has always written like this, even before he turned "pro".
Walter Hill does write like that. But so do others.
Had a chance to look at the script for the 2001 movie Dust - http://www.imdb.com/title/tt0243232/. A few months back. Which was a spec script. Not Hollywood financed. Mainly UK. Budget around 10 mil.
The director who is NY based and has been nominated for an Academy Award, writes in a similar way. Here is an example:
Quoted Text
INT. ANGELA'S APARTMENT, NIGHT
Underneath the balaclava, a menacing face appears - EDGE.
Dangerous, intense... wicked.
Adjusts gun in back of pants. Goes through drawers, finds nothing.
Three bucks in a cookie jar.
Sweeps books to the floor.
Straightens slick new suit - his pride. Turns on tv.
A locked chest of drawers. Another airplane ROARS overhead.
Smiles. Pries it open. A crack and a snap:
A pocket watch inside. Pockets it.
Not everyone's cup of tea. But people do it. So... do whatever makes you happy
But..as I said earlier, don't write a 20m page script and think it will work as a spec script...cuz...well...it won't.
It does work... sometimes. For specific things. Action scenes for example. They work REALLY well with fragmented writing. Helps the director see it clearer.
Different strokes for different folks though, right?
It does work... sometimes. For specific things. Action scenes for example. They work REALLY well with fragmented writing. Helps the director see it clearer.
Different strokes for different folks though, right?
Right, but not 200 page scripts...they don't work on spec.