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Retrieval by Darren J Seeley - Short, Shark - A smuggler kidnaps a newlywed to assist him in recovering his loot, which is guarded by a rogue shark. 12 pages - pdf, format
Seriously, whoever wrote this contact Don. Maybe it'll get up there... Other option is for this thread to go bye-bye Otherwise, it's a GREAT title! Very ironic!
First paragraph is awkward, seems like a newer writer.
No need to put those useless asides there. Waste of three lines.
Writing is so bland and lacking any real visuals. Needs a rework or at least some actual depth.
Description of Zed makes little to no sense. Confusing more than anything.
They talked for 2 pages about taking a picture? Like really? Wow...
Take a good look at who? What the hell was happening with that cave scene?
Page 6, I have literally no clue where we're at and what they're talking about.
Not a fan here, thought the writing took a lot away from the script. How am I meant to get excited about a shark attack when we're presented with less than 5 words of description. It's not visual either, and I'd suggest trying to add a little more meat to your writing. The story doesn't make sense either, and you take too long to get into it. You could easily cut this down to 5 pages. I was lost after the 6th page and that's obviously a bad sign.
ZED, (30s) the man with the gun. Hawaiian shirt and hardcore
attitude to go with it. His rage shows in his crazy eyes. Who
knows what this psycho is capable of doing. [b]Even he don’t.[/b]
Watch out for those types of asides. This isn't working. Also, with the rest of your action lines, I'm getting the vibe that you're almost afraid to write them. Maybe because English isn't your first language and you're afraid of this getting picked up... or maybe scared of revealing your particular style... whatever it is, it's not making the read go well. There is a lot missing.
An action story that has some good elements, but needs a lot of work.
Well, there were spelling and grammar issues throughout but the story was pretty good. I was pleasantly surprised because honestly, it started out a little hokey. Lana and Pete's banter went on a bit long and was getting annoying. But I'm glad I stuck this one out because it was pretty good. I enjoyed it.
Nice job on this OWC!!
Pg. 5 - Pete's dialog should be (VO) Pg. 7 - You call Lana "Lara" twice in the action.
Lana vs Lara. Choose one, stick with it. One slug has a lower case C. The opening with Pete and -I'll go with Lana since it's more common in script- it's alright but should have been a little shorter. She comes off as a little nagging. I would have thought more better of it if the iPhone became more of a plot device rather than a Maguffin or Pete did come up with a small baby squid and got his bride to pucker up. Hey, back in the teaser thread I did say it could be romantic, right? Oh well.
I would not have minded a page or brief scene showing Jack's demise. Yes, you could show a dead body and it wouldn't count as a character, but it would have made for a nice cold open I think.There still would have been only four speaking characters.
I didn''t hate the script. Good use of the shark, Good surprise at the end too. Everything points to a predictable outcome where I expected...you know...
Quoted Text
"Zed's dead, baby, Zed's dead." - Pulp Fiction
***SPOILER***
Bit Zed not only gets to kill and/or wound the shark, but gets away! Not a bad thing, because there is a beat or two that suggests Lana didn't make it either by shark or Zed shooting her too. That's what I loved about the script most of all. It wasn't predictable. So much so that I think this may have been a regular at SS and you were (as someone else pointed out) trying to hide your style but perhaps it could have also finding the right groove. Once things got to the cave, the read zipped by.
Ok a few writing issues as we go along and I'm not sold on the dialogue or the go faster boat
I did like the slugline with. cAVE
I don't mind the abbriavted writing, many pro's use it, but sometimes it feels harsh.
The ending seemed unlikely.
A man kidnaps a woman, forces her to swim down past a shark, he dead friend alongside, all for some illegal cash which then decides to share and save her...I struggled with that reversal.
Kidnapping someone to swim past a shark for some booty is fine, not a bad idea, but I feel it needs a bit more. The scenes with the husband and his phone etc seemed to go on too long since they don't form a core part to the story.
All the best
My scripts - links to be updated.
The Elevator Most Belonging To Alice - Runner Up Nashville Inner Journey - Page Awards Finalist - Bluecat semi final Grieving Spell - winner - London Film Awards.�� Ultimate Weapon - Fresh Voices - second place IMDb link... http://www.imdb.com/name/nm7062725/?ref_=tt_ov_wr
I'm not too sure, but the deadline might of had this writer rushin'. I can say without a doubt the premise (once figured out) is good. Most would probably say the writing is horrible, but I think the presentation outweighs it. That and the dialogue.
Get to the premise sooner. I appreciated the playful buildup to an extent, but after that it either needs to have bearing on the conclusion, or it needs to be brief. The dialogue is not so good. But cleaning that up shouldn't be difficult. Even less dialogue would suit the story. When you write a skinny page, the dialogue is expected to be above average.
Not a way to end a story, thought there was a twist headed in.
Best of luck rewriting, it's a story that's worthy of one.
This one got better as it went along. Still not overly excited about it. I would bulk up the descriptors a bit. Give us a better sense of what's going on.
Straight up C for me. Not terrible, not amazing IMO. Congrats on the entry.