All screenplays on the simplyscripts.com and simplyscripts.net domain are copyrighted to their respective authors. All rights reserved. This screenplaymay not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author.
The reveal is shocking but a little underdeveloped. I understand the page limit. I am sure this can be turned into a brilliant short with a little additional information.
Didn't see it coming, so good work there. Seems to have been written in haste as there are a lot of missing commas. A LOT of them.
Dialogue was decent enough but it lacked realism for me. It just didn't sound natural. Having both cops shoot the hobo in the end was a bit much but I think I see where you were coming from.
I like the concept of this one, but was distracted by the abnormal amount of grammatical and punctual errors throughout the script. I always think of those types of flub-ups as speed bumps; they're gonna happen, obviously, but when they repeatedly occur (particularly in a few short pages), they completely distract from the story at hand. That's what happened here.
As a side, I'd also drop "officer" when Beyer and Horton are speaking. I felt like it added a little extra clutter to the page. We know they're both officers, so I think they're names are sufficient enough.
The story itself I did like. In such a short amount of time you managed to make these cops come off like pricks, then give us a complete 180 where there's justification for what they were doing. Kudos on that.
The big issue here was really just the grammatical issues. Clean those up and you have something nice on your hands.
Lots of errors in this but it didn't stop me from reading it. I liked the dialogue between the cops. It felt real and sinister as they toyed with the hobo. And if that hobo really did kill that girl I wouldn't even call them that dirty.
Still, I was left almost thinking they got the wrong man based on the mannerisms of the Hobo. Like he just found her dead body and took some of her things for himself.
If you rewrite this, and I think you should, I would give the hobo more lines and draw into his character more. You could definitely play this scene out for another page and give it more impact.
Kept me gripped until the end and then it all went a bit haywire when they introduced the dead girl element which seemed to come out of no-where. Instead of a shocking twist, it detracted from the story.
Easily fixed with another draft and an excellent start. I do recommend working on this more outside the OWC.
-Mark
For more of my scripts, stories, produced movies and the ocassional blog, check out my new website. CLICK
Thoroughly engrossing... But I want Hobo to be innocent! Someone else needs to be in the mix, some twist or have one of Hobo's lines be that he didn't do it, or he at least shakes his head, no.The underwear falling from his pocket was ick.
You followed the parameters and the story suited minimal dialogue from Hobo. I think you were in a rush with this one but I'm glad you got it over the line.
Good script. Horton and Beyer exemplify people who have power, but not the moral fortitude to use it wisely. In their case, the law sometimes gets enforced, but not always in a lawful manner. The bad cop/worse cop routine was well executed, but those knife wounds in the Hobo’s hands are going to be hard to explain…
Logline is very poorly written, which is not a good start.
1st Slug is dreadful, and I have this hunch the script will be riddled with errors - let's see...
Sentence structure is terrible. Almost like you have no clue how to write grammatically correct sentences.
Comma use is also terrible.
Sorry, the writing is way too bad for me to get through this. Dialogue is far from good, and I'm confused as to the 3 characters - wasn't it supposed to be 2 only?
You need to learn how to write. It's not that difficult. Now way you can be taken seriously with this amount of mistakes.
Gotcha. Thanks. I guess I thought that if there was a 3rd character, that character would not be a main character, as used here, but I didn't read the entire script, so who knows, but the Hobo sure seems to be the central element of the story.