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I just ran a script report on mine now, and it ended up being 61% action lines and 39% dialogue.
39 versus 61 is pretty good compared to mine. ;D
After messing with final draft a little, I finally got mine up. 45% Action and 46% dialogue... The 6% left is assigned to "character", not sure what that means but okay.
After messing with final draft a little, I finally got mine up. 45% Action and 46% dialogue... The 6% left is assigned to "character", not sure what that means but okay.
I just checked mine and I'm up to 0% Dialogue, 0% Action...
Now that i'ved finished reading 40 posts by ray on, err.....not much, I thankfully have been reminded by you kind folks - damn you all - that EACH character must have a supranat, a souprana, a superdoopernan...oh whatever it's called, event.
One superthingy short at the moment. Need to go back.
The Elevator Most Belonging To Alice - Semi Final Bluecat, Runner Up Nashville Inner Journey - Page Awards Finalist - Bluecat semi final Grieving Spell - winner - London Film Awards. Third - Honolulu Ultimate Weapon - Fresh Voices - second place IMDb link... http://www.imdb.com/name/nm7062725/?ref_=tt_ov_wr
Mine's still an extremely rough draft (and 15 pages long), but it comes in at
I've still got a lot to work on mine, just thought I'd bang it out when I had some free time and fix it up later. I'm actually surprised that they came in at such a high number, I was thinking mine would be somewhere around 6 pages but it was way longer.
I thankfully have been reminded by you kind folks - damn you all - that EACH character must have a supranat, a souprana, a superdoopernan...oh whatever it's called, event.
I believe this was discussed somewhere on the thread (though I'm not sure which page) and I think Don said that at least one of the central characters had to have a history of a supernatural event.
Quoted from nawazm
The 6% left is assigned to "character", not sure what that means but okay.
Pretty sure that 'character' means the line that says which character is speaking the dialogue, and the 'scene' is the slug lines. (The INT. or EXT. lines.)
I just chalked the character towards the dialogue.
So technically, now after a couple changes lastnight, It's 51% Action, 29% Dialogue, 16% Character, 3% Scene and 1% Transition.
I am trying to write something for this challenge and I decided that the challenge is very challenging and no challenge was ever very challenging safe this very challenge.
I use Trelby screenwriting software. It can run script, location, scene, and character reports, and also even dialogue charts, letting you know how much screentime the characters are getting, how often they're in the story, and how often they're not.
I'm pretty sure all this stuff would be useful for a director working on a shooting script and breaking down information for certain shoots, and probably for figuring out which order to cast the actors in the credits if he doesn't want to use alphabetical order.
To be honest, as a spec writer, this is really my first time even looking into those kind of things. I tend to tell every story differently until I find my style, so I don't pay attention to how much dialogue or action I'm using, as long as I'm getting the story across in the best way possible.
As a numbers guy, though, it is still fun to look at, although I probably won't run any reports until I'm done with at least the first or second drafts of anything.