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An interesting perspective of a writer's creative process. Kinda reminded me a little of Being John Malkovich. I don't think you'll win an Oscar for it, but then again we both know this was just an experiment in creating a world within a world. I think your character A.J put it best when he said, "writing is a magical experience where you create characters that feel like real people. Some you even fall in love with". Nice line
I also liked the reference to Linus's little brother Rerun. Funny stuff.
My only other thought is maybe rework the ending. I would've liked to see Pete and A.J. end up back in the office when it was all said and done. Back to reality.
Yeah, I'm starting to experiment a little - this idea of shorts is definitely new to me. And of course I wrote the whole thing with a wink and a nod (can you guess who the protagonist is?).
I got the idea for this after reading "Polarman", along with mcornetto's "Untitled" - so thanks...
And I guess it was true what AJ said - I really didn't have an ending for it...
hey interesting bit. I like the simplicity of using his head in a variety of ways. square? Not sure where you're from, but i havent heard people use that word seriously in a long time. ether, day? the ether has times of day? the tongue fulcrums? you mean levers? the fulcrum is just the rotating point of the lever. the sentence where you introduce the charlie brown characters is pretty lengthy and awkward. might want to restructure it. Having AJ say you dont have an ending isnt really a substitute for an ending. Your characters were pretty simplistic and one dimensional. And why are they in cubicles while AJ's writing. shouldnt he be working? I think overall the biggest issue I had was the overly pat morality of it. So the old guy's lame and unimaginative, and the young guys very creative. And somehow that all has to do with writing, since deep down everyone wishes they were a writer. Not to sound harsh, because I did like it. But it seems like you had an idea for the visual stuff which was pretty cool, and not really much to go with it. Good start though, good luck with it.
Mine: HARD CASE (65 Pages) Stealing the case is just the beginning...
APU (80 pages) A city where superheroes are murderers and villains walk through walls...
I like the premise of a writer attempting to explain the creative process to a non-creative person, so points for that.
A few random notes:
Your dialogue could use some work, it seems a little too formal in spots and not as genuinely conversational as it could.
The "Have some chocolate" line seems odd to me for some reason. Perhaps it would work if Pete then points to a jar of M&Ms on his desk or something. Just saying that line but not referring to anything specific seems strange to me - but maybe that's just me.
This seems like a silly thing to criticize considering the characters are in a fantasy world, but I think it would be physically impossible for Pete's head to upright itself using just his tongue. Actually, you might get more laughs out of it if he tries to do it and fails.
A better description of Pete's body after his "affair" would be wise, I think. If his shirt is suddenly untucked and his zipper is down it would allow the audience to figure it out before Pete is told.
I like the Charlie Brown bit.
It would be nice to see Pete, once he's shown how it's done, using his own imagination in the ether, perhaps against A.J. That might give you more of an ending to this than you have (which you admit to not having).
I don't get what you were going for with that last paragraph at all.
Thanks for rescuing this from the scrap heap - definitely unexpected given the 7WC.
Yeah, I agree with everything you guys said. I wrote this quickly, and more visually, as a way to stretch my muscles (I never wrote a short until I got here). You've given me pretty good suggestions as well. If I ever re-visit this I'll make sure to incorporate the visuals (Pete's clothes - very good) and concentrate on continuity - and an ending... (-:
Another script with a nod to Screenrider, that man is certainly proving influential.
I enjoyed "New Year's Eve" so I said I'd check this out.
A.J. So? The other day you turned your head both ways like you were crossing the street before you would utter the word "heck". -- Good line
I must admit I am shamefully oblivious when it comes to Charlie Brown. I read an article once about the legendary Christmas special, Linus's speech and all that but I've never seen it. Nor have I watched any of the series, so I'm uneducated about the core referencing in the piece.
I liked the concept of going into A.J's mind and administering a very practical lesson to the conservative Jim, the prose was fine with perhaps the dialogue needing a more natural flow to it in parts but unfortunately I found it difficult to connect with the story or forge any definite opinion on it due to my aforementioned ignorance.
Having not read the previous scripts mentioned as inspiration for your script, I have no basis with which to draw from apart the script on its own merits.
I kinda felt what jokes I noticed were old school and just not for me.
I liked the description of the Ether, that was plus.
The story and characters were not for me. I felt there was nothing in the story and the characters were just not funny.
Sorry, but I wish I could be more positive, c'est la vie.
And yes, screenrider is re-making himself as a writer before our eyes - it's quite exciting to watch actually. AJR
Sure thing, AJR. It's almost as exciting as watching a baby take his first few steps and then fall and hit his head on the coffee table. Exhilaration followed by horror.
Nice script. I thought most of the dialogue was pretty funny. I thought that the ending wouldve worked better without the cartoon but plug. I liked the way you commented on the fact that you dont have an ending, but I thought you couldve just left it at that.
Another thing I was thinking. Maybe AJ leaves his script unfininshed and goes out for lunch while Pete has a go at the script. Or they could have imagination offs where each have a go at writing the script, and try to out do eachother but AJ still ends up giving Pete a lesson in writing.
Thanks for the read - glad you enjoyed it for the most part.
I was going for an R-rated Bugs Bunny ending there - since AJ had abused Pete during the whole story, I wanted Pete to believe it was over with the lesson learned - only AJ had more abuse in store.
Cheesy in retrospect, huh?
If any of you have anything for reading please let me know so I can return the favor.