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Revenge by Gary Rademan (grademan) - Short, Thriller - A man mourns the death and rape of his sister. His uncle’s revenge leads to their capture by the killers. - pdf, format
Doesn't seem to fit the criteria very well though IMO.
It's a straight thriller, without any supernatural or sci-fi elements andit contains numerous actions that I would have thought were outside of the capabilities of the software.
I'm not an expert on that, but that's just my opinion.
Quick, early cuts from location to location reveal trying to shoehorn too much story into 12 pages. The photo-to-drunk driver conversation is so forced that I almost cringed. Just being honest here.
Then we descend into a weird sort of "Death Wish" territory all too quickly, with the requisite protests from Jake that are instantly quashed. The scene with Jerry is confusing, and then, suddenly, our guys are prisoner to these thugs with loads of expository backstory. And from there, this one is kind of all over the place.
First and foremost, this story does not fit the genres, and while sometimes we are lax on that, for this time around, it is paramount. The other problem, as mentioned, is that you are trying to tell too much story in 12 pages. All of your characters suffer for that.
This one did not strike any chords with me. Not bad, really -- and competent, sure -- but I guess perfunctory is the word I am looking for. It is not the perfect word, but the first that comes to mind. (Yes, I have been reading "Choke").
So this one gets a C, but mostly for not adhering to the genre specs.
WAY too much story for 12 pages. It felt like chunks were missing, at times --
SPOILERS
-- particularly when suddenly Tom and Jake found themselves captives. That was a bit disorientating. The only reason it made any sense at all was because you'd already revealed it in your logline.
I also agree that there seems to be a lot here that Moviestorm just wouldn't be able to do. Michael said that physical interaction between characters was limited - don't know if the technology can make characters sodomise each other, but I doubt it.
So yeah, while the writing itself was fine, this one just missed the point, for me. It was definitely dark, but it was also bereft of the supernatural, and didn't take ANY of the limitations / requirements into account.
I hate to be the downer here, but this one didn't really work for me. Like some of the other comments point out, it is too much here for 12 pages which also leads me think that you used the "tight" option in your software. I bet if this was set to normal this script would be 13+ pages.
Anyway, I didn't really connect with any of the characters. I felt their sorrow in the beginning, but when the killings started I lost any feelings I had for them.
The bad guys were just a tad too bad and that's a weird thing for me to say since I've written many many torturous scripts myself. Maybe because what the characters said and did seemed to not be fit. Do they just go around and screw anyone? Men and women? This all seems unbelievable without some sort of understanding of the characters. There just wasn't enough characterization in this script for me to care,
The cuts between scenes were IMHO way too many and I think it might come across as jarring to watch on film.
I didn't, however have a problem being a thriller. It was a dark story, with dark minded characters.
OK, I am going to stop these 'hellos', they're getting a little tiresome.
The worst sign for this one was that it took me three times to come back and actually get through it. The tone and scope of the writing, especially in the opening, hinted at something longer than a 12-page max 'OWC' script.
Therein lies a fundamental problem, so you're up against it from the word go, really.
However, you did manage to successfully complete the story in that time, but IMO, it was at the expense of suspense, and this killed a decent premise.
While I was able to easily follow it, there were obviously a lot of chunks missing and the dialogue that's used doesn't really do the time lapses any justice.
One of the main issues here is that I didn't particularly care for the characters or even the action for that matter. When Eddie and Mack are raping Kate, they actually crack a moderately funny line "How many times have I said...She knows half my name now! Asshole!" That shouldn't be there in that kind of scene.
And then Tom goes postal, Jake is just kind of there the rest of the time, and Eddie and Mack are just such bad individuals to the point where I didn't like them as villains.
So, way too much going on for such a short amount of time. I'll give you major props on effort for trying to work with a story like this, but there's just way too much content for 12 pages.
Sex, murder, and... a rusty trombone. All the qualities of a great story. I can't believe I didn't like it. AS been said, way to much jumping around for a 12 pager.
I didn't feel for the chracters because it moved to fast to establish any likable traits.
I won't harp on you for bending the rules as far as genre and abilities of the software. i don't think they could make this, But they won't be able to do mine either so I'm guilty with ya.
Nice job finishing a story in a week. Needs more pages to be fleshed proper.
Yeah, afraid I'm on board with everyone else here.
This didn't work for me in any way. Way too much story and details, poor dialogue (for the most part), clunky action prose, just totally unbelievable.
In terms of dialogue, I was amazed how many times the characters used other characters names...over and over, and over. People who know each other don't talk like this. I actually laughed out loud as it kept happening.
The way you structured this, didn't work either. I have absolutely no problem with non linear scripts, but this jumping back and forth got annoying. You let us in, as readers, to the jumps by placing a phrase in your Slugs, but that's not going to work in a filmed version. You'd need SUPERS for this, otherwise, we'd be clueless.
The action you depicted is far too graphic for any medium, really (I'm surprised I'm saying that!), but especially the medium that this challenge called for. You've got several rape scenes, which obviously aren't going to be filmed, and even a scene in which a guy's shoves his meat into another guy's mouth. C'mon now, you have to realize this is going way too far, right?
Your action line were very clunky and awkward. Like the dialogue, it was shocking how often you used character's names...over and over again. I'd recommend reading a bunch of scripts and figure out how to avoid this, as it's annoying.
I'm not going to say this was terrible, as you obviously attempted something big...and difficult. It didn't work for me at all, though, nor does it meet the challenge. Certainly not the worst effort, but it needs alot of attention.
I've read five scripts so far and the only one that really mentions 'the dark' is a parody! I didn't like the nasty stuff in this one. The violence seemed to contrive and only in for shock value. A lot the dialogue was forced too. The formatting was good though, and it had a neat flow to it.
The last two OWC'S, I (and Jeff) have read and reviewed ALL of the entries.
Sad to say, but I don't see myself doing it this time.
This was another that didin't seem machima. Surely a simple mark or something could show the ones that are?
I don't think it's entirely dark but maybe brutal.
You can tighten up the story. You don't need the subplot about Jake's parents being killed by drunk drivers as that plot didn't serve any purpose.
The story took a bit too long to get to the good stuffs. The flashbacks are inserted at the wrong place. You don't need to cut back to the present in between two flashbacks. Makes the read slower.
I'm not too sure about the Jerry character. Is he absolutely necessary? There should be some other way for Tom to find Eddie and Mack.
The cut from Tom's house to the hotel room is too quick. There seems to be a few scenes missing because BOTH Tom and Jake got caught. If only Tom got caught, I'll buy the sudden cut in time. But if both are caught, then it implies something big must have happened in between.
Anyway, not too sure about this one. It's a complete story but found it a bit on the dull side. It's a good work though.
FEATURE:
Memwipe - Sci-Fi, Action, Thriller (114 pages) - In a world where memories can be erased by request, a Memory Erasing Specialist desperately searches for the culprit when his wife becomes a target for erasure -- with his former colleagues hot on his trail.
Since the piece is simply titled "Revenge", maybe it could be subtitled "enough sodomy for the entire family!"
Seriously now though, I thought this was surprisingly well-written from the standpoint of the action scenes, brutal though they were (except breezes cannot be filmed blowing across gravestones, which are rigid - trees can rustle in the wind next to graves).
I agree with what's been said here that the dialogue is completely cliche and awkward, and that this piece is obviously a 30 pager shrunk to fit the OWC.
And nice catch on Mack the Knife, Greg - did you notice we also have an Uncle Tom?