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Not bad, nice to see a comedy. It is a bit of slapstick imh. Thriller/Drama noted on your description. I'd say comedy/drama. Met the challenge. Now all you gotta do is get a MS lookalike to play him. Unless of course... Well, good luck with that!
I assume this is meant to be "funny" - but it is so badly written that I spent most the ten pages shaking my head in disbelief.
Where to start...
So, a big film star in a sequel, is in a shitty hotel room? The intent is to show that even success isn't all that it's held up to be - but seriously? Apart from any other consideration, if the setting is LA as later indicated, chances are the star would live there and would be picked up from his home not a hotel.
The script gets off to a bad start with this and goes downhill...
For a start - limousine is not spelt that way! Once might be a typo, but clearly the writer didn't have spell check on as it is incorrect throughout the script!
The dialogue and situation is just unbelievable nonsense - without some grounding in reality it can't be funny (assuming it is meant to be and we're not supposed to take this seriously).
How does Kyle check his gun while driving - how many hands has he got?
How does Chad "lean forward" in a limo? A taxi, yes, but limo's are long - that's the point - and he'd hardly likely be sitting right up by the driver (normally there'd be a partition operated by the passenger as well).
Why is Chad going to a premiere alone? Why doesn't he know the name of the theatre?
I'd be here all day picking holes in the script - it is that bad. The ending is incomprehensible - Chad seems to be more concerned with missing the premiere than the fact that he could die - I had to read it three times to check I hadn't missed something.
Hmm... it sucked me in for the first page, but then it fell apart. Completely and utterly. Everything about it is random. I'm wondering if the writer was on acid when they wrote it. I stopped at page 3.
I think if someone was in danger they would write 911 first. The capping of sounds distracted me a tad. I didn't recognize the music so that was lost on me. You didn't have to use a real director. Not really a thriller since no grit.
A few thoughts. Style-wise, I'd combine a bit more of the sentences. Right now, they feel a bit terse and chopped up. Merge a few, and IMO they'll flow more.
Putting Scorsese in there? Um, budget-wise pretty unlikely. I DID really chuckle at the line "I've seen better acting in a Roger Corman movie" Though - damn - given his temper tantrum, Kyle deserved getting booted off set, you ask me.
I expected this script to veer left, and have it turn out that Kyle was faking, and proving what a great actor he really is. Which I think would've been a nice twist, if you revisit it!
Your writing style seems pretty solid and works for me, the material however doesn't.
Firstly Scorsese doesn't fit the brief price wise (unless he's doing you a favour), and then it just kinda flies all over the place. Half of it just seems to be random build up, only to be followed by something related to the brief.
Sorry, this one isn't for me, either. Couldn't hold my attention, so I had to quit reading...
Cindy
Award winning screenwriter Available screenplays TINA DARLING - 114 page Comedy ONLY OSCAR KNOWS - 99 page Horror A SONG IN MY HEART - 94 page Drama HALLOWEEN GAMES - 105 page Drama
I got through the whole thing but I just don't care for it. What's a successful actor doing in a heartbreak hotel? What actor looking for his first break screams at a famous director? May as well go completely over the top with all of it and turn it into a comedy.