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This is just my humble opinion(JMHO), I'm not a pro screenwriter, apply salt to taste...
I try not to read too much into shorts. They are what they are. You did a good job with your action descriptions setting tone/mood... gotta say, I found "Yours Truly" predictable. So I didn't find the ending a surprise. Or maybe it wasn't meant to be? Put us into one mindset, then flip us out of it into another...
Sidenote: I was more sympathetic towards the wife. This would be easy to film for sure.
Thanks for the read and the food for thought. Naturally, it should be a surprise and some peeps who read earlier versions found it a surprise. The logline, I suspect, almost gives it away. The fact you found the wife to be more sympathetic than Peter is curious. I edited the dialogue like 500 times and got it so streamlined perhaps it reads a bit coarse - non sympathetic maybe. I dunno.
Steve, the big twist actually did come as a surprise to me.
Thing is though, I didn't relate, in that I didn't feel Peter's pain.
If you give him a name btw, give The Wife one. Are you doing that to make her more the villain?
And why DAWN? Can't it just be MORNING? Is this to establish they've been up all night arguing?
The line with them being so close, even while watching TV doesn't gel with me. I didn't get their loving back story at all. I know what you were trying to do there.
Mainly though I don't see Peter as an emotional wreck but rather as cold and calculating. His dialogue is not hitting the mark for me somehow. Perhaps in the misdirect you thought Peter crying would be too obvious, too pulling at the heartstrings or might give a clue to the twist that's coming. As is he's bitter - 'resigned' which usually indicates accepting, aloof. Maybe those words were too cold.
I didn't buy this great love that was destroyed. Hard to do in three pages...
But the last scene was definitely a shock for me.
Sorry I couldn't be more effusive. Your stuff usually gets me where it hurts.
Good points all. I think I was so involved in the actual writing I might've forgotten to make Peter a semi-likable character. I had nothing but dialogue to really do that, and I think you're right - I may have missed the mark on that. Thanks for pointing that out. Good future reference.
No page limit. But I had success with a 2 pager called Ready Or Not, and this one came to me one day and 3 pages was all I felt I needed. Really didn't wanna do a build up or get too involved - just wanted to tell this quick story and see what happened.
Thanks again for re-reading. Dave, I understand what you're saying with that, but I just think it sets the scene a little in regards to that, yes it's Day or dawn, yet still dark out. I'll even take it a step further in saying it sets the tone for the story itself, meaning a new day has dawned yet there is no light for Our Man. That's the best I can do!
Zack - yeah I posted this before as a WIP and you did read it. Thanks again.
Thanks again for re-reading. Dave, I understand what you're saying with that, but I just think it sets the scene a little in regards to that, yes it's Day or dawn, yet still dark out. I'll even take it a step further in saying it sets the tone for the story itself, meaning a new day has dawned yet there is no light for Our Man. That's the best I can do!
Now, I believe that it solely comes to the actors and crew to make something of it. Especially the last moment should look as impulsive and violent as possible on screen.
@ Good logline here, Steven. That's it.
Suicide or killer, what a slight difference, isn't it?
Thanks for the read. I've said that to myself a few times regarding this one - it'd be up to the actors to put some emotion into this, namely the Peter character. That is, of course, if anyone thinks the script is worthy of being produced. We'll see.
The short you're thinking of, I think, is Silence, Eventually, which mirrored the Orlando nightclub shootings. It's been filmed and is currently in post. Hopefully it won't be too much longer on it.
Steve
PS - just messaged the director. Still in post. They have to do color grading and such. But he says that it is quickly becoming one of their favorite productions, and that the entire cast was super helpful and involved, some even staying late to assist with production. So, that sounds pretty positive!
The short you're thinking of, I think, is Silence, Eventually, which mirrored the Orlando nightclub shootings. It's been filmed and is currently in post. Hopefully it won't be too much longer on it.
Steve
PS - just messaged the director. Still in post. They have to do color grading and such. But he says that it is quickly becoming one of their favorite productions, and that the entire cast was super helpful and involved, some even staying late to assist with production. So, that sounds pretty positive!
Yes. Thanks for the info. A story with high relevance you handled there and I'm firmly convinced it will be a huge success story for everyone involved.