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I read the first 10. First things first - your formatting is off, you don't have to number your scenes, the line spacing is off and some passages are too thick. Better keep it to 4 lines max.
So you converted comedy into horror. I say make it more horrific then. Spoilers - not having Dexter in the first 10 doesn't sound good to me.
Overall it's a slow start for me. Didn't get a sense if it's an animation or not. Possibly not.
Your writing is descriptive and good. Nice job here.
I agree that the formatting is off in places, though the content is evocative enough to read around that. There's one annoying repeated typo with Dee Dee's name spelled Dee dee.
Spoilers: The plotline here is pretty linear. That's not unusual for purely episodic TV horror (Tales of the Dark Side, etc.), but this looks like it's supposed to have recurring characters so there should be a little bit more going on. In particular, this kind of main character reveal is only going to work once in a series (very good example would be The West Wing).
No logline. But then again, who isn't familiar with Dexter's Lab? Horror? I'm sold!
Scenes in a spec script aren't numbered, and even when they are (in a shooting script only) they are numbed on both sides.
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James takes a tentative step s back.
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[DEE DEE], 18[,] blonde, dressed in short skirt and a pink tank top, giggles as she jumps into frame.
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DEE DEE (sarcastic) Haha! You should’ve seen your face.
It should either have (MORE) and Cont'd, or better yet, the whole thing should move to the next page.
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James scowls[.] Dee [D]ee rolls her eyes.
The "D's" in Dee Dee should be capitalized in all instances, as it's a proper name. Also, these are two different sentences. Be mindful of punctuation.
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The couple walk hand in hand[,] laughing airily in the open woods. Dee dee abruptly stops, forcing James to jerk forward.
You appear to be a new writer. Be careful with those orphans (single words in action paragraphs, taking up a whole line). They can add up and inflate the page count.
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It's empty[.]
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INT.LABORATORY LOBBY - NOON
The time of day in a slug should simply be DAY or NIGHT. Occasionally, DUSK or DAWN is acceptable.
This paragraph is way too long. Break it up into three, four, or even five paragraphs.
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to see (a) chair(s) floating.
Pick one.
Chucky Cheese (Actually Chuck E. Cheese) is a proper name and must be capitalized.
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A single tear runs down Dee Dee['s] face.
Dexter is a proper name and must always be capitalized.
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after [the] whole thing.
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because of our age difference[,]
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completely restructure of the system.
Dee Dee's dialogue needs to be broken up with MORE and cont'd.
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Dee dee nudges him in the ribs playfully. He stumbles back. SFX: Splash.
This whole paragraph should be broken up in order to read better.
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The light above explodes
or
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The lights above explode
Pick one.
I would capitalize...
*SPOILER*
HUMANOID FIGURE.
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Dee dee pulls James away from the creature. Her breath light and erratic. The creature turns to them. Even in the darkness, it’s glowing red eyes can be seen.
This whole entire paragraph needs to be broken up.
"Heavy metal table?" Like heavy metal music? I think you mean "Heavy, metal table."
"Makeshift" is one word.
Those parentheticals should be used sparingly, if at all.
*SPOILER*
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Its’s [It's] above us[.]
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Dee dee and James rush out [of] the room.
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Dee [D]ee and James run as fast as their as feet can carry them, [b]oth of the[m] breathless as they speed past several doors.
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A streak of scarlet paints James['s] shirt.
This whole paragraph needs to be broken up.
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INT. LABORATORY LIBRARY
Another fat paragraph that desperately needs to be broken up. Each paragraph should be no more than five (six, if absolutely necessary) lines. This one's a staggering 13 lines!
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James kneels down slowly and picks up [a] piece of broken tile, his hand shaking with fear and fury.
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His shiv finds his [its?] mark.
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Dexter lets out [a] deep sigh.
*SPOILER*
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For the [N]ew [W]orld [O]rder[,] of course[.]
No FADE IN or FADE OUT.
And an extra, blank page? What program did you use?
Formatting/grammar was way off in places, but the story was strong enough for me to march on. Good job. You just need to work on your formatting, spelling, grammar, and especially your English.
There's a thin line between reboot and spoof. I feel like this is more of the latter. James is introduced like we should know who he is. I used to watch Dexter (still do, on occasion) but don't recall a James.
Hmmm...just finished. This works as a one-off spoof, but not sure if it would as a reboot.
Before I start (actually I have started), Dexter was a favorite for me and my kids. A reboot is hard to do. To see one done well (Lost in Space on Netflix), is to be in Nirvana. Few reboots can pull you in like that. Although I enjoyed the writing, the story could have been stronger. The first 10 minutes focused on Dee Dee and her boyfriend instead of Dexter. I don't think this Dexter is better than before just different. The syringe wasn't enough of a hook for me. The Next Dex will be better.
Thanks for all the feed back guys! I'll have to go through each individually at a later time (When work isn't biting my time) Sorry for the format, unfortunately my usual script program kept on crashing so I had to use a template I downloaded from the internet in word, and I had no idea on how to change the number thing. I agree, the story was pretty weak. This is why we never submit first drafts. I revisit this when I can keep my anxiety down!
"We hide to try our feelings, but we forget that our eyes speak.”
Hey Waleed (it's supposed to be anonymous but there's no secret here).
Right then, there's huge issues all over the place in formatting and typos, so what I'll do is just try to list some really simple pointers to help you out.
1. Cut the descriptions down in size, try to aim for maybe 3 lines max and break them up if you need to go large on that front.
2. Once you're finished, copy the entire script into Word and find the typos with red underlines.
3. Spend a good bit of time studying scripts around here and reading tips online re formatting. FADE IN and FADE OUT's are really basic misses, but that's the tip of the iceberg here.
4. Lose the numbering of the scenes, as that's saved for your shooting scripts.
So, there's some simple pointers to just tidy your work up. What you do have going for you is a knack for visualisation. I fought my way through the chunks of descriptions, but your visualisation was actually really strong, and I could really see the action.
The dialogue was alright but needs a good few proof reads as it flowed in some parts and collapsed in others.
It's never gonna win the challenge, but there's a lot to work with. It doesn't seem like you've done a load of writing (judging by the final outcome) so if you've managed to craft your visualisations from relatively little expreience then there's some talent there and it's definitely worth working on.
It was pretty close to enjoyable, you had me sold for the majority of the beginning. Like, I was really interested to see where this was going. I just wish you didn’t give it the Halloween episode ending. Monsters are fine, new world order is fine, all these things are fine, but you focused more on the twist ending and the reveal than you did on the actual story of the characters.
Why do I say this? Because you relied on Dee Dee to tell the audience basically everything we wanted to know in one conversation instead of hinting at these possibilities so there would be the option to build on them. Don’t be afraid to leave stuff to the readers imagination.
These OWCs are a great learning exercise so take the feedback you get on here to heart. Trial by fire is the best way to get better. Lots of little errors here I'm sure have been pointed out already. DAY or NIGHT in your slugs usually work just fine. No need for SFX on sounds, Just CAP them all and you're good. CRASH! Make sure to CAP characters the first time we see them in the script too. Action should be no more than 5 sentences max. A few passages here were much longer than that. Lots of telling, not much showing as the script is mainly just Dee remembering prior events. No real sense of direction, no stakes. Why is she returning to the old lab? Why now?
Didn't care for this at all, not a huge fan of the original show and this went nowhere. But again, that's not the point. Keep writing. And maybe the most important thing you can do to get better quickly. Read and comment on the other scripts in the challenge. Looking at other examples and on your own finding what works and what doesn't is a fast way to shorten the learning curve. You really are cheating yourself if you don't leave your own feedback on other's work. I look forward to seeing your comments.
Not sure this fit the challenge, but I appreciate the effort here. It had its moments, but for the most part the dialogue felt a little bit on the nose and the action blocks way too descriptive. The story was decent, but I never really felt connected to the characters.
Only tell us enough to set the stage and allow us to fill in the rest with our imagination. That will serve you well going forward. I think you will also benefit by utilizing a standard screenwriting software. You don't have to get Final Draft or Movie Magic Screenwriter, maybe look at free software like Fade In or even Writer Duet online.
Best of luck going forward, Gary
Some of my scripts:
Bounty (TV Pilot) -- Top 1% of discoverable screenplays on Coverfly I'll Be Seeing You (short) - OWC winner The Gambler (short) - OWC winner Skip (short) - filmed Country Road 12 (short) - filmed The Family Man (short) - filmed The Journeyers (feature) - optioned
No idea what I just read. Don't know the show, and with no logline to help guide me this just makes me feel like -- what did I just read? Sorry, but this was lost on me. And based on the writing, and what other readers have said, this needs some work. So overall, a good effort in completing this, but poorly executed. Not for me, but good luck!
I wouldn't know this series if I fell over it either, but does any of the source material elevate your opinion of what you read? Just wondering, (in fairness to the writer,) considering I've read quite a few comments like yours (not just from you) on other threads i.e., never heard of it, can't make head or tail of it, etc.
I understand what you’re saying, Libby. Honestly, I’m basing all of my reviews on quality of writing and, more importantly, story. Or cohesiveness of story. With the page length of these it’s already a tall task to get through them all, which I will do. So in fairness, at least in my reviews, I’ve chosen not to read/view the source material as I just don’t have the time. Instead I’m just focusing on the story. Whether or not I’m familiar with the show really holds no weight for me. It’s either good or it’s not. I would think that’s fair.