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I think it's also worth pointing out that the ambiguous route with no explanation is the far easier one. How convenient it is if stuff just happens in your story to drive your plot forward. Its much harder giving your characters purpose, giving them motivations, and tying up why things happen. I dont think that can be argued.
The Lovecraft script obviously doesnt fall into this category. The writer knew what they were doing and some got the references, thats different. But again, just because I didnt get it, doesnt make my thoughts about the script any less valid.
Oh man, Warren...sad. Seriously sad. You just can't stop, even though it's so fucking obvious you're wrong, your a narcissist, and you continually try to turn peeps' words around.
Bottom line - if you don't see the difference in the 2 scripts being discussed and why one is the writer's fault and the other is your fault, it's a mute point.
I skimmed it. I know what Lovecraftian mean/is, and it's still a bad script (sorry writer), and not really Lovecraft-like except in the manner of having a mysterious and unimaginable creature. I don't give a shit about this girl on a boat so it's not suspenseful when the Cthculu (Sp)-like creature does whatever to her.
Is the argument over now? Gotta say, this thread reached 4chan-like levels of hostility. Where's Don? Lock this shit. I'm the captain now.
Can someone link to the OWC script that inspired this topic, if we are to engage thoughtfully?
Hey Ben, this was never about a particular script. It was about an idea, as discussed in the initial post. An idea that I think a story is better when motivations are clear.
But who was disagreeing with you on that? Isn't that like screenwriting 101? Your characters have to have "motivations"? I don't get it.
I felt I couldnt get invested in a certain script because I didnt understand why things were happing (something Ive said in one way or another about several scripts in this particular OWC).
Somehow it was then argued that it was my issue that I didnt get it, and that I should just use google to fill in the blanks. I disagree with this.
So I'm saying that if from the script/movie I cant see any clear motivations that its the writers issue not mine. Some disagree.
Its also been said that there dont need to be motivations at all, things can just happen. I didnt disagree, I just said I cant guarantee I'll enjoy your story if I dont know why stuff is happening.
Its really as simple as that. Unfortunately its been pulled in serval directions regarding seats and my ability to give a good review.
Ive since been told Im narcissistic, my intellect has been brought into question, Ive been asked if I was trolling, and the funniest one of all that I turn peoples words around, WTF? A seat was brought into a discussion about motivations Ha-ha.
I skimmed it. I know what Lovecraftian mean/is, and it's still a bad script (sorry writer), and not really Lovecraft-like except in the manner of having a mysterious and unimaginable creature. I don't give a shit about this girl on a boat so it's not suspenseful when the Cthculu (Sp)-like creature does whatever to her.
Is the argument over now? Gotta say, this thread reached 4chan-like levels of hostility. Where's Don? Lock this shit. I'm the captain now.
I love when people “skim” scripts then try to give an informed opinion. It’s funny because the opinion becomes pointless.