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A New Present by Warren Duncan (Warren) writing as Somebody I Used To Know - Short, Sci Fi, Drama - After a horrific accident, a father's undying love drives him to achieve the impossible. 5 pages - pdf format
Woohoo Time Travel! Very clean and easy to read. I gotta say I enjoyed it. I'm always a sucka for a good scyfy script. This was nice. Visual, moved quickly, established characters and settings vividly... left me wanting more. Nothing to rip. It would only be nit-picking. The other scripts in R5 are going to be hard pressed...
Sorry if this sounds like lame feedback. Best of luck! -Andrea
Predictable once I learned that Freddy died, but written expertly IMO. Emotions show in all three characters. Cute moment with Paul and Freddy pretending to race.
Not much to say here as it's in good shape already. Checked all the parameters and story was good. I imagine this one will be a contender.
The story is okay as a drama. The script is clean and the handsaw has a remarkable moment.
However, the story is a drama. This simply is no Science Fiction script. While the payoff tries to say it, the true story experience is not the slightest in the genre. Possibly, someone who is not familiar with writing the SF genre. So... criteria not met here.
The story is okay as a drama. The script is clean and the handsaw has a remarkable moment.
However, the story is a drama. This simply is no Science Fiction script. While the payoff tries to say it, the true story experience is not the slightest in the genre. Possibly, someone who is not familiar with writing the SF genre. So... criteria not met here.
Time travel is a large part of this script. How is that not Sci-Fi?
the main character spends half the script building a time machine, so we have a sci-fi.
Exactly, this is what not happens on the screen, in the reality of the story we watch. The script hides that all from the reader. There's nothing of a SF feel, atmosphere, plot until the reveal that wants to be it in hindsight.
At the bottom of page 4 is the very first moment of a fiction element on screen that is touchable and real - actually on screen.
I’ll say I liked this, well-written, nicely constructed and with a bit of heart to it. Wasn’t crazy about the SUPER’s, but I understand you used them to get your end result.
I just need clarity about the ending. He is back in the “new present” but how old is his son now? The dad has aged but has the boy? Did Paul go back in time and stop the boy from dying? If so (and here is where my head starts hurting), then he wouldn’t have needed to build the time machine afterwards to take him back, right? Or alternatively, the boy would have aged just like his father. But I feel like I’m missing something here that I can’t put my finger on.
Still great job on the writing.
Best of luck and congrats on finishing the challenge!
Gary
Some of my scripts:
Bounty (TV Pilot) -- Top 1% of discoverable screenplays on Coverfly I'll Be Seeing You (short) - OWC winner The Gambler (short) - OWC winner Skip (short) - filmed Country Road 12 (short) - filmed The Family Man (short) - filmed The Journeyers (feature) - optioned
I’ll say I liked this, well-written, nicely constructed and with a bit of heart to it. Wasn’t crazy about the SUPER’s, but I understand you used them to get your end result.
I just need clarity about the ending. He is back in the “new present” but how old is his son now? The dad has aged but has the boy? Did Paul go back in time and stop the boy from dying? If so (and here is where my head starts hurting), then he wouldn’t have needed to build the time machine afterwards to take him back, right? Or alternatively, the boy would have aged just like his father. But I feel like I’m missing something here that I can’t put my finger on.
Still great job on the writing.
Best of luck and congrats on finishing the challenge!
Gary
Time travel movies always give me a headache if I think about it - and logically, they almost never make sense - so I try not to overthink them
If he went back in time and saved his son, the timeline where he built the machine no longer exists and so he didn't go back to save his son, but if he didn't go back to save his son, the original timeline where he built the machine comes back into existence... And now we have an endless time loop lol
I did think of one question though - if he went back in time and is still his future self in the past, where is the past father? Does the kid have two dad's now? Or did he replace past dad?... I see a dark sequel in the works where future dad has to "get rid" of past dad so his son doesn't discover the truth
I'm sorry, I'm going to be the dissenting voice on this one:
His hand circles the handle of a handsaw. It pulls free of it’s casing and follows Freddy on his descent. Twisting as he falls, Freddy instinctively raises his hands to protect himself. The blade of the handsaw sits flush across his throat, then--
I just can't envisage that happening with a handsaw. It surely would just clang to the ground or cut his hand. This is the type of problem I had when thinking up story - using it as weapon or lethal instrument in a believable way. A hand-saw works on push-pull momentum to cut and its bladed teeth are coarse and pointed. I had a similar but slightly lesser problem with it being used as a weapon in The Cold Invasion.
I didn't make it this far and I won't be voting so you can just disregard what I'm saying. I think more than anything the big problem is credibility with this object being utilised in a credible fashion. If it was a knife there are plenty of freakish lethal accidents that can occur with them. I think if this script were made the Producer would be wise to change this element.
Time travel stories are good entertainment (albeit a bit mess-with-your-head logic-wise) and you wrote the emotional component in well. You met all the parameters.
It may be just me who finds that handsaw supernaturally all powerful and in the end visually a little silly. That's not your fault. I personally blame Sean.
P.S. I wrote a script with the title: Someone I Used To Know - your moniker. I think you need something more emotive similar to that for your title. A New Present, even though I get the play on words, doesn't do the story justice imh.
Predictable in a sense... that is, if you have access to the logline, and are told the genre in advance. However, on screen, this critique melts away.
It's a simple story with good emotional punch and a nice payoff.
Overall, well done.
PaulKWrites.com
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