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I can't pick one. The best written ones pretty blatantly disqualified themselves for me by not having shark attacks, or by having way too many characters.
And I really need you guys to pay attention to the first entry of the producer notes:
Code
As you read these (faux confidential) reviews I want you to pay
close attention to how much effort I'm putting into making these
lines of words and thoughts into an actual animated short film.
Every time I cut a scene or element it’s not out of malice but out of
practicality.
I want you see how I'm consolidating or eliminating multiple elements to
save production costs for the greater benefit of getting something done,
hopefully without compromising the heart of the story and sometimes
actually improving it, IMHO.
SEEEEEE that I'm trying to work WITH you, not AGAINST you, so that we
BOTH have something to show for our efforts.
13. Lord Laughs at the Wicked - A serial killer at sea hits a snag. Brief - A grisly scene on a boat.
Characters to Animate/Voice - 2 Max + jump, circling shark, Scenes to Build - 1.5 Far → near boat on ocean, Accessory Visual - 4 Flying seagulls 4x, Accessory Audio - 2 Ocean waves, seagull calls,
Genre & Marketability - Horror Script format - 3 Comments - Excellent opening scene! If the shark’s been following Max & boat for a week why’s he still holding the cleaver? Ho, wait?! Fuck me! That’s it?! One page? Fuckin’ dickhead. Final word - I’ll POSSIBLY make this just for the funuvit even though it has zero practical utility, I just admire the imagery + premise, so I’ll give you that. You’re still an asshole for the given challenge, though. XO, Asshole.
10/15 Lo/Hi Estimated Build Hours per Screen Minute x 0.8 Screenplay Pages = 8/12 Total Build Hours Time Cost
Jail Bait and Up from the Depths 2 are the pissers you will love.
Jowls is another pisser that has its moments, but is a little thick.
What are you talking about, Jeff? Jowls was amazing! Maybe one of the best I've read. A lot better than the other two at least... Is Jail Bait even a pisser? Wow.
And I really need you guys to pay attention to the first entry of the producer notes:
Code
As you read these (faux confidential) reviews I want you to pay
close attention to how much effort I'm putting into making these
lines of words and thoughts into an actual animated short film.
Every time I cut a scene or element it’s not out of malice but out of
practicality.
I want you see how I'm consolidating or eliminating multiple elements to
save production costs for the greater benefit of getting something done,
hopefully without compromising the heart of the story and sometimes
actually improving it, IMHO.
SEEEEEE that I'm trying to work WITH you, not AGAINST you, so that we
BOTH have something to show for our efforts.
Have to say, I'm blown away with the research you do. The time to read each individual script and give notes on time and cost is priceless. Awesome job as always!